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    Sunday, April 3, 2011

    Sunday Quote, from a Sunday Poem

    An April Sunday brings the snow
    Making the blossom on the plum trees green,
    Not white. An hour or two, and it will go.
    -Philip Larkin


    And here's another poem by Larkin, perhaps his most famously popular poem, written in a completely different tone, almost planetarily so (which perhaps explains the plethora Web pages of analysis dedicated to this poem), that befits my state of mind...

     

    They fuck you up, your mum and dad.
      They may not mean to, but they do.
    They fill you with the faults they had
       And add some extra, just for you. 

    This is an image of the 1st Edition Printing
    But they were fucked up in their turn
       By fools in old-style hats and coats,
    Who half the time were soppy-stern
       And half at one another's throats. 

    Man hands on misery to man.
       It deepens like a coastal shelf.
    Get out as early as you can,
       And don't have any kids yourself 




    THIS BE THE VERSE was first published in the August 1971
    issue of New Humanist, and appeared in the 1974 collection
    High Windows, as pictured at right. 

    You can help save books, poetry, and maybe me - though it's a long shot - 
    all at the same time by purchasing your own brand new copy... 

    or maybe find yourself a first edition at...

    MelanieMiller'nSuch_HighWindows.com



    SOURCE:
    An_April_Sunday_brings_the_snow_Making_the. Dictionary.com. Columbia World of Quotations. Columbia University Press, 1996. http://quotes.dictionary.com/An_April_Sunday_brings_the_snow_Making_the (accessed: April 03, 2011).

    Saturday, December 4, 2010

    ACT NOW: Call upon the government of Tanzania to halt on-going genital mutilation of girls and women in the Tarime district. - mnm1512914@gmail.com

    Take 1 second (or 60 if you're slower than a neuro gimp), and SIGN this petition.

    Call upon the government of Tanzania to halt the on-going genital mutilation of girls and women in the Tarime district.
    (click above to go directly to the signature page; or indulge yourself (and me) and read my little treatise on female genital mutilation.

    I know exactly where I was standing the moment I learned about this nightmare, a cultural practice, a rite of passage, it's variations in extremes, the death rates, the philistine unsophistication of the doer's butchery, the tacit cultural and cultural antitheses' acceptance of unsurmizable inequities: teen and pre-teen vaginas turned into scar tissue with a pus-filled, sealed entrance... barely the size of a pinhole camera, and that little hole is about the same as her chance of survival - not of her future, not of anything strange or unusual, this is the norm, the expected, dirty scalpels, and unsterile environment.

    It's hard to believe there is worse pain than that. It's hard to believe that CRPS, Chronic Regional Pain Syndrome Stage 4, full body, external/internal,  is a 24/7 pain that could rival even one second of that on a scientific pain measurement chart.

    But female circumcision is not listed. If it were, it wouldn't certainly rise to the top, above finger amputation no Novocaine, natural childbirth, the vast and incurably endless pain of CRPS. And I imagine that in some practicing countries, the men would celebrate this as a victory. We won! We won!

    Lucky to survive, the girl and what parts she has left, what life span she is given, waits to be married.

    I could read every article, every Vanity Fair, the Koran, every anthropological study or scientific journal, and I will never understand. Why not even a compromise to start with? Why not remove a kidney? Weigh her down with an antiquated chastity belt? Preach safe sex; the beauty of making love, in love? In how many societies are women all myth, an allegorical Eve?  Why do I not feel guilty eating the last apple in the fruit bowl?

    This "practice", this keeping of culture, ritual, butcherous belief-system - the antithesis (in my view) of sacred -  but not a word turned on the heel of it's latter syllables. She is a SACrificial lamb in a dirt-filled room, watched by family, villagers, and now the remnants -  photographed and published in mainstream and English. It is the most extreme variation on the theme.

    Infibulation,  this is what we  have named it  - this is what we call it in white talk, West talk, activist mottos ripe with rhyming possibilities for emphasis and memorability only.

    She is still a child, waiting, even in severe pain every time she pees, waiting for the naming of the  muslim man who will marry her - only if he can break her open. Literally, break her.

    Rip apart a body part that once had lips. Imagine this, your lips sliced off, the remaining skin pulled taught and sewn together. No anesthesia. No percocet recovery.

    This is called infibulation (a word not even recognized by spell check). A word new to me until I was just passing the latest possible age to be infibulated myself. But I would be stoned instead. That is how a "whore" like me would be treated. What else is there to do to a woman or girl found to be sexually active before, or after the end of marriage?

    More than the photographic analogy (the 1993 or '94 Vanity Fair Article that tangled and untangled me for years following,) saturating page upon page somewhere between George Clooney, or some form of Hollywood Beauty was on the cover(I think) and perfumed perfume ads, were these pages, these horrifying pages, scarier than the madman I lived with at 18 with no escape route either. But I had my art.

    These women, what did they have? It was easier to figure out what the negatives: the did not have anesthesia, no art involved, nor just reason, no hospital, no novacaine, no options, no choice.

    Wednesday, November 3, 2010

    In web-centric world of 1,001 blogs, zines still making a scene - Winnipeg Free Press

    Even more interesting than the Canadian article, named and linked in the title above and the link at the bottom of this page), are the quotes within from one my publishers (feel free to make online comments about my story from the last issue, or share with all you love and hate because making Melanie a popular poet is (or isn't) on your To-Do List).

    Hal Niedzviecki, prolific author of all things, including the nonfiction book, Hello: I'm Special, as well as Editor and Publisher of the Canadian zine, Broken Pencil.


    In web-centric world of 1,001 blogs, zines still making a scene - Winnipeg Free Press